socket":ibiu2o7p said:
The picture should be composed in way that best suits the material and your vision of that material.
If you always rely on cropping for composition then you never learn good composition IMHO.
I think the two lines are precious for any "artist".
Yes, the composition "should" serve the way the artist want's to express or communicate the "object". It's a "pain" when a very good Idea/Concept/Object is limited by some composition rule(s), not letting it get the unique (exceptional?) value of a composition of it's own
Yes, we "shouldn't" rely on cropping for composition. But we can also "see" the final result from a "raw" image when we press the shutter, knowing in advance what we'll do to the composition with the tools we have by hand, so be it digital or analogic.
In the end, I think it will be a matter of personal experience, giving the opportunity to learn and test different ways. The value, for me, is more related to genuinity ;-)
(sorry if all this sounds like a lecture, but it's the way I allways try to work with my students, and it's so difficult to resist... sorry, sorry ... :roll: )
Edit: two examples.
First one, the shot was made with the intention of using distortion correction tools. It was impossible to get the composition/ligh/etc in a frontal shot. So the "raw" image may be considered as a way to get the final result
Second example, I wanted this structure to be so evident that I cropped the rest of the image. It was my intention to remove it from the beggining and I had no choice (or concern) for the "right" proportional frame.
Finaly, considering your question about printing. I have no answers but only doubts about that too. Generaly I check the formats at the printing lab and try to adjust the photos inside the available dimensions. If I'll need to cut the margins, I'll do it. But I won't change a composition to "adjust" it to an "artificial" frame ;-)
(second lecture! Soooo sorry again!!! :? :roll: )