Thanks for looking & kind comments, always appreciated
Peter, yes the light was rather awkward, the shots in the forge were handheld [800 iso] within the woodwok shop I managed to find a low rail to balance the camera on, & keep to iso down to 200.
Old workshops are magic places for me. I remember a catalogue from Nikon (D300?) in which a bandonion workshop was photographed. The master was sitting at the bench, the light was terrible good.
The real secret I think is the light and/or the direction of it. A flat source might allowe you to shoot with everything nearly well illuminated, but as with music and silence, the dark areas add some mystery which should be there in such kind of places with hard work, skill and craftmanship. Less light and some pronounced and prominent tools or faces might add this mystery.
Here a shoot in dim light, no chance to control the illumination (as usual) and lucky with a steady hand......